i really hope when steve finds out about what happened he does this again
folded chairs and lectures for everyone
I was struck with the idea of what the Marvel Universe might have looked like had it only ever have existed in pulp detective, crime and thriller novels - it started with an idea for an ongoing series of The Black Widow adventures, borrowing the cover layout from Mike Shayne detective novels.
I assigned each character to a dream team pulp writer whom I thought matched the essence of the character. Donald Hamilton was best-known for his Matt Helm series of spy novels, which I thought made him an appealing choice for the Natasha Romanova “series”. Leslie Charteris was, of course, creator of the suave and witty Saint series of novels, so I gave him rein over the socialite adventurer Janet van Dyne and her scientist husband (Also, I thought Dashiell Hammett would have been a little on-the-nose), and Hoke Moseley creator Charles Willeford is assigned to craft the seedy, unsentimental world of Luke Cage, Hero for Hire.
None of these writers were particularly known for science fiction, which I thought made it more interesting to imagine them writing characters who - if not traditional sci-fi character - at least often set foot in impossible realms. You would have to imagine they’d be stripped down to characters devoid of super-powers and ladled with intrigue.
Notes
Death to The Black Widow: A Natasha Romanova Thriller employs the title from Amazing Adventures #3, originally written by Roy Thomas. I do not have a source for the cover image. It borrows the cover design from the Mike Shayne series of detective novels. Spot illustration by Daniel Acuña.The Sting of the Widow: A Natasha Romanova Thriller employs the title from Amazing Adventures #7, written by Roy Thomas. The illustration is by Jack Faragasso, and originally appeared on the cover of “Bait” by George Cassidy and “Cravings” by Jack Woodford. It borrows the cover design from the Mike Shayne series of detective novels. Spot illustration by Daniel Acuña.
No Place To Hide employs the title from Tales to Astonish #54, written by Stan Lee. The illustration is by Robert McGinnis and originally appeared on the cover of “The Wind-Up Doll” by Carter Brown.
Hero for Hire employs the title of the comic Luke Cage Hero for Hire, written by Archie Goodwin. The illustration is by Stanley Borack and originally appeared on the cover of “Hellbottom” by Eric Corder.
And lastly - big ups to Franklin Gothic, the trashy paperback’s go-to typeface CAN I GET A WHAT WHAAT!
OMG X-MEN!
Hey Misha, it’s awesome to know that you shop at Target too!
Not that I own that shirt or anything./gross sobbing
(Source: metallicars)
WHAT SUBTEXT?
…DID THEY JUST HAVE THE SEX?
THEY ARE NOT EVEN TRYING ANY MORE. OH.MY.GOD.
(Source: doktorvondoom)
New York Comic Con (NYCC) is proud to announce Marvel Studios, for the first time ever, will participate in this October’s NYCC. Marvel Studios will present a special event in NYCC’s IGN Theater - Presented by Sprint on Saturday, October 15th from 6:30-7:30 PM, a high-profile panel focused on the…
I WILL BE AT THIS. NO MATTER WHAT IT TAKES.
UGH. Just tear apart my heart.
By Jay Fife
I WILL GO DOWN WITH THIS SHIP. #lunaisseriouslyhiskid #WHYELSEWOULDMAGNETOHATEHER #JOBKICKCOMEON
A classic Captain America cake baked and brought to Marvel today by summer intern Abigail Palbus, who’s actually writing her thesis on the history of Cap!
Thanks so much for the shout-out! It was awesome to bake and I’m glad everyone enjoyed it!